2022. “Feeling analog: Using modular synthesisers, designing synthesis communities.” In Shaping Sound and Society: The Cultural Study of Musical Instruments, ed. Stephen Cottrell. London: Routledge. 

Bates, Eliot, and Arseni Troitski. 2022. “Grid Culture.” In Modular Synthesis: Patching Machines and People, ed. Andreas Kitzman et al. London: Routledge.

2021. “The Interface and Instrumentality of Eurorack Modular Synthesis.” In Rethinking Music through Science and Technology Studies, edited by Christophe Levaux and Antoine Hennion, 170–88. London: Routledge.

2020. “Recording Studios Since 1970.” In The Bloomsbury Handbook of Music Production, ed. Simon Zagorski-Thomas and Andrew Bourbon. New York: Bloomsbury Academic.  @academia.edu || @researchgate

2020. “Technological and Methodological Assemblages: Analyzing the Production of Culture in Istanbul’s Recording Studios.” In The Ethnography of Recording Studios, ed. Giovanni Giuriati and Serena Facci. Fondazione Giorgio Cini.

2020. “Agency in Contemporary Recording Production.” In The Oxford Handbook of the Creative Process in Music, edited by Nicolas Donin. New York: Oxford University Press.   @OUP || @researchgate

2018. “Producing TV Series Music in Istanbul.” In Critical Approaches to the Production of Music and Sound, edited by Samantha Bennett and Eliot Bates, 81–97. New York: Bloomsbury. @academia.edu || @researchgate

Bates, Eliot, and Samantha Bennett. 2018. “The Production of Music and Sound: A Multidisciplinary Critique.” In Critical Approaches to the Production of Music and Sound, edited by Samantha Bennett and Eliot Bates, 1–21. New York: Bloomsbury. @academia.edu || @researchgate

2014. “Music, Mobility and Distributed Recording Production in Turkish Protest Music.” In Oxford Handbook of Mobile Music Studies, edited by Jason Stanyek and Sumanth Gopinath, volume 2:339–60. New York: Oxford University Press. @academia.edu || @researchgate

2004. “Glitches, Bugs, and Hisses: The Degeneration of Musical Recordings and the Contemporary Musical Work.” In Bad Music: Music You Love to Hate, edited by Chris Washburne and Maiken Derno, 212–25. New York: Routledge. @academia.edu || @researchgate

2013. “Idiosyncratic Virtuosity: An Analysis of Three Performances by Istanbul’s Studio Musicians.” In Performance in the Studio Conference. @academia.edu

2009. “Ron’s Right Arm: Tactility, Visualization, And The Synesthesia Of Audio Engineering.” Journal on the Art of Record Production 4 (October). @arp || @CUNY || @academia.edu || @researchgate

---

Reference

2010. “West Asia” Oxford Bibliographies Online (12,500 words)

Citations

• google scholar
• orcid

---